
Stewart and Grenadier share a long-standing musical history, with collaborations in the groups of Pat Metheny and John Scofield as well as on numerous recordings. When Stewart first encountered Walter Smith III, he was immediately struck by his distinctive tone and approach, and together the trio has developed a close and organic rapport. The result is a truly collective sound that draws the listener in with remarkable clarity, grounded not only in the deep understanding between the players but also in Stewart’s thoughtful compositions, which open up a vivid three-way dialogue over a compelling groove. The trio has made recurring appearances at Village Vanguard and documented its work on recordings such as Band Menu and Live at the Village Vanguard.
“Stewart’s stunning feel, sensitivity, touch, taste and musicality between hands and feet is all recaptured on this [live album]… Over Grenadier’s hip walking and Stewart’s swift and busy bop-phrasing around the kit all the time tacked to his unwavering swing, the tune makes for an explosive closer to this all killer, no filler set.”- Jazz Journal UK
Bill Stewart has long been regarded as one of the most influential drummers in modern jazz. With a playing style that combines precision and fluidity, he has been a central figure in numerous significant contexts and recordings, most notably with John Scofield, as well as in collaborations with musicians such as Joe Lovano, Joshua Redman and Pat Metheny. As a composer, he writes music that invites interaction and collective creation.
Larry Grenadier is one of the most respected bassists of his generation, known for his warm, responsive sound and melodic sensibility. For several decades he has been a key figure in pianist Brad Mehldau’s trio and has worked with artists such as Paul Motian, Charlie Haden and Stan Getz. His playing brings together stability and flexibility, contributing a presence that is both attentive and constantly exploratory.
Walter Smith III is among the most compelling contemporary voices on the tenor saxophone. With an expression that is both reflective and forward-looking, he moves effortlessly between tradition and innovation. He has worked with musicians including Roy Haynes, Terence Blanchard and Christian McBride, and is also active as an educator at Berklee College of Music. As a composer and bandleader, he develops a personal musical language where structure and freedom meet.
On stage:
Bill Stewart – drums
Larry Grenadier – double bass
Walter Smith III – saxophone
Stewart and Grenadier share a long-standing musical history, with collaborations in the groups of Pat Metheny and John Scofield as well as on numerous recordings. When Stewart first encountered Walter Smith III, he was immediately struck by his distinctive tone and approach, and together the trio has developed a close and organic rapport. The result is a truly collective sound that draws the listener in with remarkable clarity, grounded not only in the deep understanding between the players but also in Stewart’s thoughtful compositions, which open up a vivid three-way dialogue over a compelling groove. The trio has made recurring appearances at Village Vanguard and documented its work on recordings such as Band Menu and Live at the Village Vanguard.
“Stewart’s stunning feel, sensitivity, touch, taste and musicality between hands and feet is all recaptured on this [live album]… Over Grenadier’s hip walking and Stewart’s swift and busy bop-phrasing around the kit all the time tacked to his unwavering swing, the tune makes for an explosive closer to this all killer, no filler set.”- Jazz Journal UK
Bill Stewart has long been regarded as one of the most influential drummers in modern jazz. With a playing style that combines precision and fluidity, he has been a central figure in numerous significant contexts and recordings, most notably with John Scofield, as well as in collaborations with musicians such as Joe Lovano, Joshua Redman and Pat Metheny. As a composer, he writes music that invites interaction and collective creation.
Larry Grenadier is one of the most respected bassists of his generation, known for his warm, responsive sound and melodic sensibility. For several decades he has been a key figure in pianist Brad Mehldau’s trio and has worked with artists such as Paul Motian, Charlie Haden and Stan Getz. His playing brings together stability and flexibility, contributing a presence that is both attentive and constantly exploratory.
Walter Smith III is among the most compelling contemporary voices on the tenor saxophone. With an expression that is both reflective and forward-looking, he moves effortlessly between tradition and innovation. He has worked with musicians including Roy Haynes, Terence Blanchard and Christian McBride, and is also active as an educator at Berklee College of Music. As a composer and bandleader, he develops a personal musical language where structure and freedom meet.
On stage:
Bill Stewart – drums
Larry Grenadier – double bass
Walter Smith III – saxophone

Stewart and Grenadier share a long-standing musical history, with collaborations in the groups of Pat Metheny and John Scofield as well as on numerous recordings. When Stewart first encountered Walter Smith III, he was immediately struck by his distinctive tone and approach, and together the trio has developed a close and organic rapport. The result is a truly collective sound that draws the listener in with remarkable clarity, grounded not only in the deep understanding between the players but also in Stewart’s thoughtful compositions, which open up a vivid three-way dialogue over a compelling groove. The trio has made recurring appearances at Village Vanguard and documented its work on recordings such as Band Menu and Live at the Village Vanguard.
“Stewart’s stunning feel, sensitivity, touch, taste and musicality between hands and feet is all recaptured on this [live album]… Over Grenadier’s hip walking and Stewart’s swift and busy bop-phrasing around the kit all the time tacked to his unwavering swing, the tune makes for an explosive closer to this all killer, no filler set.”- Jazz Journal UK
Bill Stewart has long been regarded as one of the most influential drummers in modern jazz. With a playing style that combines precision and fluidity, he has been a central figure in numerous significant contexts and recordings, most notably with John Scofield, as well as in collaborations with musicians such as Joe Lovano, Joshua Redman and Pat Metheny. As a composer, he writes music that invites interaction and collective creation.
Larry Grenadier is one of the most respected bassists of his generation, known for his warm, responsive sound and melodic sensibility. For several decades he has been a key figure in pianist Brad Mehldau’s trio and has worked with artists such as Paul Motian, Charlie Haden and Stan Getz. His playing brings together stability and flexibility, contributing a presence that is both attentive and constantly exploratory.
Walter Smith III is among the most compelling contemporary voices on the tenor saxophone. With an expression that is both reflective and forward-looking, he moves effortlessly between tradition and innovation. He has worked with musicians including Roy Haynes, Terence Blanchard and Christian McBride, and is also active as an educator at Berklee College of Music. As a composer and bandleader, he develops a personal musical language where structure and freedom meet.
On stage:
Bill Stewart – drums
Larry Grenadier – double bass
Walter Smith III – saxophone
Stewart and Grenadier share a long-standing musical history, with collaborations in the groups of Pat Metheny and John Scofield as well as on numerous recordings. When Stewart first encountered Walter Smith III, he was immediately struck by his distinctive tone and approach, and together the trio has developed a close and organic rapport. The result is a truly collective sound that draws the listener in with remarkable clarity, grounded not only in the deep understanding between the players but also in Stewart’s thoughtful compositions, which open up a vivid three-way dialogue over a compelling groove. The trio has made recurring appearances at Village Vanguard and documented its work on recordings such as Band Menu and Live at the Village Vanguard.
“Stewart’s stunning feel, sensitivity, touch, taste and musicality between hands and feet is all recaptured on this [live album]… Over Grenadier’s hip walking and Stewart’s swift and busy bop-phrasing around the kit all the time tacked to his unwavering swing, the tune makes for an explosive closer to this all killer, no filler set.”- Jazz Journal UK
Bill Stewart has long been regarded as one of the most influential drummers in modern jazz. With a playing style that combines precision and fluidity, he has been a central figure in numerous significant contexts and recordings, most notably with John Scofield, as well as in collaborations with musicians such as Joe Lovano, Joshua Redman and Pat Metheny. As a composer, he writes music that invites interaction and collective creation.
Larry Grenadier is one of the most respected bassists of his generation, known for his warm, responsive sound and melodic sensibility. For several decades he has been a key figure in pianist Brad Mehldau’s trio and has worked with artists such as Paul Motian, Charlie Haden and Stan Getz. His playing brings together stability and flexibility, contributing a presence that is both attentive and constantly exploratory.
Walter Smith III is among the most compelling contemporary voices on the tenor saxophone. With an expression that is both reflective and forward-looking, he moves effortlessly between tradition and innovation. He has worked with musicians including Roy Haynes, Terence Blanchard and Christian McBride, and is also active as an educator at Berklee College of Music. As a composer and bandleader, he develops a personal musical language where structure and freedom meet.
On stage:
Bill Stewart – drums
Larry Grenadier – double bass
Walter Smith III – saxophone